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Where the “archaic” theater arranged a benefit performance to its choreographer and costume designer, where gopak and the audience fiddled, flashing in their chairs, tapping and clapping, there the cinema, remembering the neo-realism out of place, removes genuine residents under the same hopak. genuine village. It sounds like a gopak, the villagers are now stomping - not too slim, but as in life.
What happened in this old picture of such a fundamentally important to remember about it now? There was a very typical misunderstanding. The fact is that in the operetta they do not sing or dance, as in life. Such a tricky synthetic genre, that every now and then, interrupting everyday dramatic action, goes into the wilds of ballet and operatic convention.
Conventionality greatly hinders the authors of the film “Trembita”. They dissociate themselves from it, repudiate it, they seem to be shy of music, they are looking for domestic justification for it. Vasilina there, I remember, hangs out her underwear, but her aria sounds off-screen as an “inner monologue.”
Let's go to a more recent film: a widescreen tape “Only you”, shot at the Kiev studio named after A.P. Dovzhenko N. Sherstobitov, according to I. Dunaevsky's operetta “The White Acacia”.
The first shots are stunning with the brilliance of colors, dashing choreography. But the action began, and the special feverish fun, which is sometimes revered as an indispensable attribute of the genre, went - the “cascade” pace of dialogues, exaggerated facial expressions, exaggerated love. Heroes are unnaturally laughing, they are eccentric to stupidity. In short, the director has squared the traditional weaknesses of drama.
Each work, as is known, has its own measure of conditionality. The artist offers it to the viewer as the rules of the game, and both parties must adhere to them. Even in such an immaculate institution as the Bolshoi Theater, Don Quixote's natural horse, appearing among drawn backdrops and ballet notes, seemed to be a living reproach to this cardboard world.
In the movie “Only You” there is no horse, but there is an unconditional sea, where an unconditional whaling ship suffers an accident, operetta hero Yashka Nakonechnikov climbs into the water to repair the screw and almost sinks, of course. Posh underwater photography shows his convulsions, and it is already completely unclear to us whether to laugh at the same time, as it should be in the operetta, or to be alarmed.
The conditional plot, which in the theater was perceived as a cheerful punishment of a dude and a slacker, suddenly loses the features of the game to the cinema. Questions about where the safety technique looked on the ship, and in general, what a strange order in the whaling fleet, where there is no one, except Yashka, fix the screw, get into my head. Riverside plumbing specialists
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